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‚±‚ê‚‚µ‚å‚ñE‚¬‚á‚ç‚è‚¢‚Ì1,2ŠK‚Å‚ÍA”N4-5‰ñ‚Ì“Wަ‘Ö‚ðs‚¢A“–ŠÙ‚̃RƒŒƒNƒVƒ‡ƒ“‚ð‚³‚Ü‚´‚܂Ȋp“x‚©‚çƒe[ƒ}‚ðÝ‚¯‚ÄЉ‚Ä‚¢‚Ü‚·B1920-30”N ‚ð’†S‚ɃpƒŠ‚ÅŠˆ–ô‚µ‚½ƒpƒXƒLƒ“‚ð‚Í‚¶‚߂Ƃ·‚éƒGƒR[ƒ‹EƒhEƒpƒŠ‚Ì‰æ‰Æ‚½‚¿‚Ìì•iAƒA[ƒ‹Eƒk[ƒ”ƒH[‚©‚猻‘ã‚܂ł̑“àŠO‚̃Kƒ‰ƒXHŒ|A–kŠC“¹‚ä‚©‚è‚Ìì‰Æ‚½‚¿‚Ìì•i‚Ȃǂ̂ق©A“ú–{‹ß‘ã‚Ì”üpAƒIƒvƒeƒBƒJƒ‹EƒA[ƒg‚Ȃǂ̌»‘ã”üp‚à‚²——‚¢‚½‚¾‚¯‚Ü‚·B
Works from the museum's collection are on display
in the Permanent Collection Galleries on the first and second
floors. The rooms are changed four or five times a year with
themes chosen from various aspects of art and history.
The collection consists of works by Jules Pascin and his contemporaries
in the Ecole de Paris active during the 1920-30s; glassworks
from Art Nouveau to contemporary pieces , both inside and
outside Japan; works by artists closely relate to Hokkaido;
modern and contemporary Japanese art; Optical Art and other
contemporary trends.

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| 2008.4.22i‰Î)¨7.5i“yj |
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’Ç‘z\ •Љª‹…Žq‚Ì¢ŠE
Tamako Kataoka Retrospective :
Japanese-style Paintings
‰ïŠú’†‹xŠÙ“ú@closedF4/28@5/7,12,19,26@6/2,9,16,23,30
2008”N1ŒŽ‚ÉÀ‹Ž‚µ‚½ŽD–y¶‚Ü‚ê‚Ì“ú–{‰æ‚Ì‹ E•Љª‹…Žqi1905-2008j‚Ì’Ç“‰“WB‰Šú‚©‚ç”Ó”N‚܂łÌì•i‚Å‚»‚Ì‰æ‹Æ‚ð‰ñŒÚ‚µ‚Ü‚·B

•Љª‹…Žq¢ŽRi•xŽmŽRjv1967”N

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•Љª‹…Žq¢Š‹ü–kÖv1976”N |

“¡“c‹ª•½
¢üâ¦E”ò’¹‚Ìtv1998”N |
ƒKƒ‰ƒX\ –²‚Ì‚¤‚‚í
Glass Art : Vessels of Dreams
”ü‚µ‚¢•é‚炵‚Ö‚Ì–²AŽ©—R‚È‘¢Œ`‚Ö‚Ì–²EEE
lX‚Ì–²‚ð‘õ‚·‚¤‚Â‚í‚Æ‚µ‚ẴKƒ‰ƒX‚Ì¢ŠE‚ðЉ‚Ü‚·B
2008.4.22(‰Îj¨6.24i‰Îj
VŽû‘ •i“W
New Acquisitions
•½¬19”N“x‚É“–ŠÙ‚ªV‚½‚ÉŽû‘ ‚µ‚½ì•i‚ðЉ‚Ü‚·B
2008.6.25i…j¨7.5i“y)
“´–êŒÎƒTƒ~ƒbƒg‹L”O•‚¢ŠG“W
Ukiyoe Prints
“–ŠÙ‚Ì‚‹´”ŽM•‚¢ŠGƒRƒŒƒNƒVƒ‡ƒ“‚ð‘ã•\‚·‚éA‰Ìì‘’å‚Ìu]ŒË–¼Š•Sl”ü—vƒVƒŠ[ƒY‚Ì’†‚©‚çA‘I‚è‚·‚®‚Á‚½ì•i‚ð“Wަ‚¢‚½‚µ‚Ü‚·B
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| 2008.7.12i“yj¨9.4i–Øj
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Northern Aspects #01
»àVƒrƒbƒL\ ‘f•`‚Ì¢ŠE
Northern Aspects #01 : Bikky Sunazawafs Drawings
‰ïŠú’†‹xŠÙ“ú@closedF7/14,22,28@8/4,11,18,25@9/1
–kŠC“¹”üp‚𑽊p“I‚ÉЉ‚éƒVƒŠ[ƒYBƒAƒCƒk‚Ì’¤‰Æ»àVƒrƒbƒL‚̶–½—Í‚ ‚é‘¢Œ`‚ÌŒ¹‚ðAƒfƒbƒTƒ“‚âƒhƒ[ƒCƒ“ƒO‚É‚æ‚è’T‚è‚Ü‚·B

»àVƒrƒbƒL
¢Œß‘OŽOŽž‚ÌŠß‹ïv1987”N@ŒÂl‘

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ƒKƒ‰ƒX
- “§–¾‚̂ނ±‚¤‚É
Glass : Beyond Transparency
ƒKƒ‰ƒX‚ł܂¸Žv‚¢•‚‚©‚Ô‚Ì‚ªA‚»‚Ì“§–¾«B‚»‚ê‚ð¶‚©‚µ‚ăKƒ‰ƒX“Æ“Á‚Ì”ü‚ðˆø‚«o‚µ‚½ì•i‚ðЉ‚Ü‚·B

ƒXƒ^ƒjƒXƒ‰ƒtEƒŠƒxƒ“ƒXƒL[
ƒ„ƒƒXƒ‰ƒ”ƒ@EƒuƒŠƒtƒgƒ”ƒ@
u‹…‘̂̒†‚Ì—§•û‘Ìv1979-90”N |
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ƒEƒH[ƒ€ƒAƒbƒvEƒMƒƒƒ‰ƒŠ[
ŠG•M‚Ì‚¨‚µ‚á‚ׂè
Art Appreciation Gallery
for Beginners :
An Overview of Brushwork
”üpŠÓ܂̂½‚ß‚ÌA–Ú‚ÆS‚̃EƒH[
ƒ€ƒAƒbƒv‚ð‚·‚é“W——‰ïB¡‰ñ‚Í‘½Ê
‚È•ª–ì‚Ìì•i‚©‚çu•M‚ ‚Æv‚Ì–£—Í
‚ðЉ‚Ü‚·B

—›âZà…uü‚æ‚è@#80057v1980”N |
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| 2008.9.13i“yj¨11.29i“yj |
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¢‹GŒêv‚݂̂¦‚é•—Œi
•‚¢ŠG‚©‚çq“¹ŽYŽq’lj¯”VŠªr‚Ü‚Å
Seasonal Landscapes
‰ïŠú’†‹xŠÙ“ú@closedF9/16,22,29@10/6,14,20,27@11/10,17,25
”üp‚ɂ݂ç‚ê‚é‹Gߊ´‚ð”o‹å‚Ì¢‹GŒê£‚ɂȂ¼‚炦AFÊAŒ`‘ÔAƒ‚ƒeƒB[ƒtA\}‚È‚ÇA‘½—l‚È•\Œ»‚ÌH•v‚ðЉ‚Ü‚·B

Šâ‹´‰p‰“¢“¹ŽYŽq’lj¯”VŠªvi•”•ªj1978-82”N

‚Ó‚ê‚é‚©‚½‚¿
Touching Sculptures
—§‘Ìì•i‚ð‚݂邾‚¯‚ł͂ȂAŽè‚ÅG‚ê‚邱‚Ƃł»‚Ì‚©‚½‚¿‚âÞŽ¿‚ðŠ´‚¶‚Æ‚Á‚Ä‚‚¾‚³‚¢B |
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‰¬Œ´Žç‰quB•vv1907”N |
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| 2008.12.9(‰Î)¨2009.1.25(“ú) |
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ƒGƒR[ƒ‹EƒhEƒpƒŠ
ˆÙ–Ml‚Ì–²
Ecole de Paris: Dreams of Foreign Artists
‰ïŠú’†‹xŠÙ“ú@closedF12/15,22,29`31@1/1`3,5,13,19
¢ŠEŠe‘‚©‚ç”üp‚Ì’†S’nƒpƒŠ‚ÉW‚Ü‚Á‚½‰æ‰Æ‚½‚¿BˆÙ–Ml‚Æ‚µ‚Ķ‚«‚½”Þ‚ç‚ÌŒ|p‚ðЉ‚Ü‚·B

ƒWƒ…ƒ‹EƒpƒXƒLƒ“
¢•ú“ ‘§Žqv1922”N
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ƒnƒCƒ€EƒX[ƒ`ƒ“
u‹F‚é’jv1921”N |

ƒtƒŒƒbƒVƒ…EƒAƒCƒY
–kŠC“¹”üpÄŒ©
A Fresh Perspective :
Reviewing Hokkaido Art
–kŠC“¹”üp‚Ì–¼•i‚Ì”XB‚»‚Ì–£—Í‚ðV‚½‚É’T‚è‚Ü‚·B–kŠC“¹‹³ˆç‘åŠwŠâŒ©‘òZŒ|p‰Û’ö‚Ƃ̘AŒg“WB |
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¬ìŒ´ãù¢’j‚Æ”’’¹v1939”N |
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| 2009.2.4i…j¨4.12i“új |
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ƒpƒXƒLƒ““W
Jules Pascin
‰ïŠú’†‹xŠÙ“ú@closedF2/9,16,23@3/2,9,16,23,30@4/6
“–ŠÙ‚̃GƒR[ƒ‹EƒhEƒpƒŠEƒRƒŒƒNƒVƒ‡ƒ“‚Ì’†S‚Å‚ ‚éƒWƒ…ƒ‹EƒpƒXƒLƒ“‚Ìì•i‚ðˆê“°‚ÉЉ‚Ü‚·B

ƒWƒ…ƒ‹¥ƒpƒXƒLƒ“
uŽOl‚Ì—‡•wv1930”N
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ƒWƒ…ƒ‹¥ƒpƒXƒLƒ“
¢ƒAƒ“ƒhƒŒEƒTƒ‹ƒ‚ƒ“‚ƃ‚ƒ“ƒ}ƒ‹ƒgƒ‹v1921”N |

ƒKƒ‰ƒX‚É‚¤‚½‚¦‚Î
Songs in Glass
‰Ì‚ð‚¤‚½‚¤AŽ©‘R‚ðæi‚¤‚½j‚¤AŽi‚¤‚½j‚ð‚æ‚ÞEEEB—lX‚Èu‚¤‚½v‚ð‚ß‚®‚é‘¢Œ`•\Œ»‚ðAƒKƒ‰ƒXì•i‚É‚æ‚èЉ‚Ü‚·B

‰–’J’¼”ü¢ŒŽ‚Ì‹óv2001”N
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ƒGƒ~[ƒ‹EƒKƒŒ
¢á’†’|‚ɑ镶‰ÔŠív
1897 - 1900”N |
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